Friday, August 31, 2012

Animals Are Beautiful People (1974)



If you've never seen The Gods Must Be Crazy, this movie will probably be pretty surprising. If you have seen it, this should still be awfully entertaining. Animals Are Beautiful People is offered more as a straightforward documentary than is its obviously-fictional descendant, and that pretense makes a beautiful stage on which to present this parody. Filmmaker Jamie Uyr treads the line carefully, and manages a nearly pitch-perfect comedic documentary (a rare genre indeed, and certainly not to be confused with the more familiar mockumentary).

Actors, directors, and writers have long argued that comedy is much harder than it looks, and specifically that it requires real commitment if you're going to pull it off. This is Uyr's strongest asset. He does have some great footage of the animals & plants which populate the deserts of southern Africa. The film is rife with can-you-believe-it facts, just as any nature documentary would be, and most of them seem to be true. This is, at its core, a nature documentary. A careful observer may notice some liberties in the editing, and elsewhere, but they are infrequent and subtle enough to be harmless. And they do serve the tone of the film well.

It's that tone that sets the film apart. Certainly no straightforward documentary would describe its subjects with the casual, judgmental, and even mocking lines that fill out most of the narration here. It comes on gradually, though, and Paddy O'Byrne speaks with just the right amount of irony to sell it but not oversell it.

It's a well balanced film, with plenty of levity punctuated by serious—even grave—moments, and humor laid casually over a documentary's worth of interesting factual information. Mostly, it's just surprisingly fun to watch. I'm sure I'll be watching it again soon (with the kids), and I'm hopeful it will hold up well.

Thursday, August 9, 2012

The California Kid (1974)



This is a made-for-TV movie, and it shows, especially in the production values and the music (more about the latter in a minute). I certainly wouldn't have watched it if it hadn't been freely available on YouTube. That said, it was a lot of fun, and the characters were surprisingly interesting (relative to other TV movies, of course).

The biggest draw, apart from the free-ness, is the star. Martin Sheen is the eponymous lead, and brings a boatload of charisma to a character who offers (and needs) nothing else. Nick Nolte shows up in a small but significant part, and hits the pitch perfectly. TV-movie star Vic Morrow could probably have done a bit more with the troubled, possibly-evil antagonist, but that is certainly asking too much from a made-for-TV flick. It would have been pretty disturbing if he'd gone any further with it, honestly.

It's a terse, tautly drawn drama, and if it doesn't do a lot to pull you in, it also doesn't give you much time for distraction. The action runs along fairly quickly, toward a pretty predictable end, but with a few interesting moments along the way.

And now a note about the music. The film is supposed to take place in the late 50s, but the music is pure 70s. And it's one of the best things about this film. It's so out of place that it pretty much takes over, and sets the entire mood. If you're not carried away by the wikkity-wah-wah of the opening credits, don't bother watching any further. Music is the raft that will carry you down this river, and if you can stay on board, it's a fun ride.