Friday, June 3, 2011

My Morning Jacket — Circuital (2011)

It was probably unwise for My Morning Jacket to begin this album with "Victory Dance". It's a very good song—inventive, intricate, well-executed. Even the rhapsody at the end isn't as jarring as it might be, because by that time you're well into the song's own world. Really, it's great stuff. You know what I'm about to say next: The problem is that "Victory Dance" sets your expectations far too high. It transitions nicely into the next song, the title track, and that one moves nicely into "The Day Is Coming". But with each subsequent entry, the songwriting gets less interesting, the structure far less intricate, and the execution less impressive. By the time we reach the "Wonderful (The Way I Feel)", which should be disappointingly bland, it turns out to be just bland. Disappointing has come and gone, unnoticed.

To be fair, there are moments of redemption scattered throughout, and things do briefly pick back up in the second half. "Outta My System" is another voyage through blandness, but "Holdin on to Black Metal" isn't. It isn't very good, either, but it does mark the turn in that direction. "First Light" and "You Wanna Freak Out" are pretty good songs. Unfortunately, they are followed by "Slow Slow Tune", really the only bad song on the album*, and the set closes with the forgettable "Movin Away". To be fairer still, the album improves with repeated listens. With ample volume, it's possible to become absorbed in the music—the sound coalesces, and it becomes greater than the sum of the parts. It does plateau at a level well below "Victory Dance", though. I'm sorry to say it, but it seems clear that MMJ will never rediscover the greasy, beautiful psychedelia that made It Still Moves... so great. This album essentially continues Evil Urges' foray through pseudo-psychedelic pop-rock, which simply isn't very fertile territory.

* As a side note, I will never comprehend any artist's urge to include a novelty song on an album. By definition, the song can only become less and less worthwhile, and it really can drag the album down a bit as it goes. In this day of digital distribution, why not pick one of the myriad other ways to 'release' a song like that?

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